![]() ![]() “You could read that final scene as her moving from one stereotype to ,” he says. Photograph: PictureLux/The Hollywood Archive/Alamy Maybe that’s all part of its greatness.” The simplicity of the outfit – black trousers, black top, red lipstick – has assisted its staying power, says Kate Bailey. “Perhaps there’s something so at odds and so polar opposite about Sandy’s final look that gives us a jolt. But, he says, it also provides dramatic effect. “It feels wrong to me that someone should change themselves for another person to gain their affection,” he says. Colin Richmond, costume designer for the London stage show Grease the Musical, is uncomfortable with this element. “One rip and disaster.”īut there has been feminist critique of Sandy’s transformation, because it is she, not Travolta’s Danny, who changes – he does turn up in a geeky cardigan to show his love, but it is rapidly ditched when he sees the all-new Sandy. “They were so old, and there was just one pair, so there was no room for error,” she wrote. As Newton-John relays in her 2019 autobiography, the zip was broken and she was sewn into the trousers each morning. “The idea was easy because she had been so girlish, so you had to go the other way – totally tight and sophisticated.” While Wolsky made Newton-John’s outfits for most of the movie, the infamous top and trousers were bought vintage. “It was very clear from the beginning that she would have to change,” says Grease’s costume designer, Albert Wolsky. “ transforms from a shrinking violet … just totally becoming a different character, remaking yourself.” “It seems to have a way of representing dreams of everyone,” says Oliver Gruner, who edited the 2019 book Grease is the Word. In the final scene, Sandy – previously painted as a square in the cutesy poodle skirts and pastel colours of the 1950s – is transformed into a “bad girl” in figure-hugging black and leathers. The continued impact is partly thanks to the outfit’s place in the film. In the final scene of Grease, Sandy’s style is transformed from the cutesy poodle skirts and pastels colours of the 1950s. Celebrities including Gigi Hadid, Jessica Simpson and Hailey Bieber have been Sandy for Halloween in recent years. The get-up is so recognisable that it is a popular choice for costume parties. Fans paid tribute on Twitter, with one writing that the outfit “has shaped my fashion style since I was about three” and another saying “the world changed” after seeing it. Released nearly 45 years ago and set in the 1950s, Grease remains part of the zeitgeist – with Newton-John’s now-infamous makeover and final outfit central to that. Wearing tight black trousers, an off-the-shoulder black top, red mules and biker jacket, with her hair teased and a cigarette in hand, she gazes into the eyes of co-star John Travolta as Danny Zuko. And the image accompanying most of the posts of was Newton-John as Sandy Olsson in the last scene of her signature 1978 film, Grease. The death of Olivia Newton-John this week was followed by an avalanche of tributes from celebrities and fans on social media.
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